"Times are that tough for UK academics!"
(D.Chandler)
Although I feel, I am back into my first stage, I am really enjoying studying semiotics in print journalism. It is real fun to look through all your knowledge in a different way and with a different purpose.
I liked the simplifying way of complex logic of the semiotics in
find the link here: Semiotics for beginners
by Daniel Chandler
48th London Film Festival
It's a pity that there is no Russian shift on this computer, where I am now. But... never mind, I just wanted to express my happiness about "48th bfi".
It's been tree months, I haven't been in the cinema. Although I borrow at least one or two films from the local Video Centre or from the college library each week.
There are Iranian, Russian, Poland and Czech films, which I would love see.
Find the link here:
Intelligence from tortured Uzbeks attacked
By Stefan Wagstyl, Central and East Europe Editor
Published: October 11 2004 03:00
Craig Murray, ambassador to
Nobel Prize in Literature: Austrian novelist Elfriede Jelinek was awarded the Nobel Prize for Literature on October 7. True to the mood of despair cast in her novels (which include The Piano Teacher, Lust, and Women as Lovers), Jelinek, 57, said that she "can't stand" the attention and plans to "disappear" and not attend the December 10 ceremony in
Letters to a Yong Poet: Today I would like to tell you just one more thing:
Irony: Don't let yourself be controlled by it, especially during uncreative moments. When you are fully creative, try to use it, as one more way to take hold of life. Used purely, it too is pure, and one needn't be ashamed of it; but if you feel yourself becoming too familiar with it, if you are afraid of this growing familiarity, then turn to great and serious objects, in front of which it becomes small and helpless. Search into the depths of Things: there, irony never descends - and when you arrive at the edge of greatness, find out whether this way of perceiving the world arises from a necessity of your bei9ng. For under the influence of serious Things it will either fall away from you (if it is something accidental), or else (if it is really innate and belongs to you) it will grow strong, and become a serious tool and take its place among the instruments which you can form your art with.
Ranier Maria Rilke

Ин равшантарин тасвирест аз Шурави ки ба калами устод Ойдини Окдошлу наккоши маъруфи эрони махсуб аст. Корхои бештари уро инчо метавонед бибинед